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SELLING YOUR SCREENPLAY


So You Wanna Sell A Script is committed to helping you all the way. From getting your ideas down on paper to pushing open the doors of Hollywood and getting that screenplay sale and/or representation. It's a long road, but you're already here so let's start making it happen.

We offer services that will prove to be a real investment in your screenplay, but if you're not ready you can still hang out and take advantage of all of our writers resources.





Script Marketplace


Hollywood can't come knocking on your door if they don't know where you live, so set up home in our Script Marketplace, it's open 24/7. We know there’s nothing harder than trying to get your screenplay into the hands that matter: the studios, production companies, agents and industry execs that can make things happen for you. You know your screenplay is good, if only you could get someone to read it!! Very few people in town will look at an unsolicted screenplay i.e. a screenplay that has been sent by the writer themselves and not through an agent/manager or producer.

Submit your logline (pitch), synopsis and, if you choose, the first ten pages of your screenplay to our online Script Marketplace and let everyone come to you. We only allow industry professionals to access our Script Marketplace. Once inside, they browse by selected genre through the loglines & synopses on offer, and request your screenplay directly from you or your agent. The choice is yours. This allows you to keep track of who is requesting your work and ensure that your material is sent out in a timely and professional manner.


Example Script Marketplace Listing       Example Script Marketplace Search Form



       





Script Express


Script Express is the fastest and most comprehensive e-query service for writers - your screenplay pitch could be making the rounds in Hollywood the very next morning - it's that fast.

An e-query is a lot like a query letter, except of course it's sent by e-mail and is generally far more concise and dynamic in its content. A lot of industry professionals like e-queries, because they are quick, easy to respond to and don't take up a lot of valuable time. In fact, Hollywood has become more switched on to the idea of e-queries and now new screenplays and writers are being discovered every day.

Script Express will take your query and express it into the direct e-mail inboxes of 2,323 (current total) industry professionals, comprising studios, production companies and independent producers, plus 911 (current total) agents and managers. No other e-query service comes close. Your e-query does not look like a mass e-mail and all responses are directed to your own e-mail inbox.

Every e-query is personally handled to ensure that your e-query looks professional.

Additionally, you can take advantage of our Query Editing Service, where we'll prepare your query letter from the letter and/or synopsis you provide to us. We'll take you through two drafts to make your query letter stand out!

Order the Script Express service and you'll also receive a free six month subscription to our Writer's Rolodex, which allows you to research and manage your contacts and submissions!


Click here for a sample e-query letter (in Adobe Acrobat Format).


Currently submitting to the following companies:

100 Percent Film & Television; 12Men Productions; 1st Miracle Pictures/Peacock Films; 21 Laps Entertainment; 21st Century Foy; 24 Seven Pictures; 24k Black Films, LLC; 3 Arts Entertainment; 3 Stonehouse Crescent; 33 Degrees; 3am Pictures; 3DGenTech Productions; 3N1 Entertainment; 44 Blue Productions, Inc.; 4th and Goal Entertainment; 4th Row Films; 5th Gear Entertainment; 6 Pictures; 647K Productions; 777 Entertainment Group; 7Ponies Productions; 7th Floor, The; 9.14 Pictures; 900 Films; 9th Floor Media; A Band Apart; A Band Apart (Quentin Tarantino); A Happy Place; A Management; A Picture Of You; A.C.T. Management; A.D.S. Management; A.L. Films, LLC; Abandon Entertainment; Abandon Pictures; Abatemarco Productions, Frank; Abby Lou Entertainment; ABC Entertainment Television Group; ABC Family; ABC Management Group; About Entertainment; Abra Edelman Productions; Abrams Artists Agency; Abrams Artists Agency (LA); Abrams Artists Agency (NY); AC Works; Acappella Pictures; Accelerator Films; Acme Talent & Literary Agency; Act One Talent; Action American Entertainment; Actors Group, The; Actual Reality Pictures; Acuna Entertainment; Adam Kline Productions; Adams, Ltd., Bret; Adelson Productions, Orly; Adrenaline Rush Productions (A.R.P. Studios); AEI-Atchity Editorial/Entertainment International, Inc.; Aerial Focus Productions; Affiliated Entertainment; Affinity Entertainment; Affinity Films International; Affrime Productions, Mindy; A-Films; Agamemnon Films; Agency For The Performing Arts; Agua Entertainment Group; Ahrens Productions, Robert; Aimee Entertainment Agency; Aircraft Pictures; AKA Movies, Inc.; Alan Barnette Productions; Alan David Management; Alan Smithee Films; Alfa-Film Enterprises; All That Entertainment Management; Allen & Associates; Allied Stars; Alpha Omega Artists Management; Alphaville; Alpine Entertainment; Altshuler Literary Agency, Miriam ; Amato, Michael Agency; AmazeFilms; Ambush Entertainment; Amen Ra Films; American Entertainment Foundation; American Film Partners; American Mutoscope and Biograph Co.; American World Pictures; American Zoetrope; Aminomedia LLC; Amphion Productions; Angel/Brown Productions; Angeles Pictures Inc.; Angry Dragon Entertainment; Angry Films, Inc.; Animal Planet; AniManagement; Anne Carlucci Productions; Anomaly Productions; Anonymous Content; Another Diversion; Antidote Films; Antidote International Films; Apartment 3B Productions; Apostle Pictures; Appian Way; Appleseed Entertainment; Arama Entertainment; Arbus Productions, Inc., Loreen ; Archer Entertainment; Arclight Films; Arden Entertainment; Ardustry Entertainment; Arenas Entertainment; Armada Pictures; Arrow Films International; ARS Nova PGM; Art 4 Less; Artisan Entertainment; Artist Entertainment; Artists Consortium Management; Artists Independent Films; Artists International; Artists Management Network; Arts and Letters Management; Ascendant Pictures; Asgaard Entertainment; Assembly Entertainment; Asset Pictures; Asseyev Productions, Tamara ; Associated Television International; Astral Talent Showcase; Asylum, The; At Ease Entertainment; Atkinson Way Films; Atlan Pictures; Atlantic Pictures; Atlantic Streamline; Atmosphere Entertainment; Automatic Pictures; Avalanche! Entertainment; Avenue Pictures; Avery Management; Axelson-Weintraub Productions; Axial Entertainment; Axium Cinema; Babyhead Productions, Inc.; Back Home Pictures; Bad Kitty Films; Baer Animation Company; Bailey Films; Baio/White Productions; Bakula Productions; Bakula Productions, Inc. (Scott Bakula); Baldecchi Productions, John; Ballistic Media Group; Bamboo Management; Banner NY; Bannon-Oleshansky Productions & Management; Barber Artists Group; Barcelona Films; Barnette Productions, Alan ; Barnholtz Entertainment; Barnstorm Films; Barracuda Productions; Barshop, Candee; Barwood Films; Baskow & Associates, Inc.; Basra Entertainment; Bates Motel; Bauer Martinez Studios; Bauman Productions, Suzanne; Baumgarten Merims Entertainment; Bazmark, Inq.; Beallor Productions, June ; Bearsmouth Entertainment; Beck Productions; Becker Entertainment; Becsey, Wisdom, Kalajian; Bedford Falls Company, The; Beech Hill Films; Bel Films; Bell Associates, Dave; BenderSpink; Berg/Saccani Entertainment; Bergman Lustig Productions; Bert Agency; Berzon Agency, Marian; Bettina Productions, Ltd.; Bicoastal Talent; Big Bang Films; Big Crash Films; Big Event Pictures; Big Picture Studios; Big Star Pictures; Bigel/Mailer Films; Billett Productions, Stu; Black & White Productions; Black Folk Entertainment; Black Sheep Entertainment; Blacklight Films; Blackwood Entertainment; Bleecker Street Films; Bleiberg Entertainment; Blow Up Pictures; Blu Nile Films; Blue Bay Productions; Blue Horizon International; Blue Rider Pictures; Blue Sky Studios; Blue Star Pictures; Blue Tulip Productions; Blue Turtle, Inc.; Bluebird Entertainment; Blueline Productions; BlueSky Movies; Blumford Enterprises; Bob & Alice Productions, Inc.; Bockworks, Inc.; Bogner Entertainment, Inc.; Bohemia Group; Bold Films; Boneyard Entertainment; Bonny Dore Productions; Book Deals, Inc.; Booker Productions, Bob; Bookin Management, Barry; Borden & Associates, Inc., Ted; Boz Productions; Brad Wyman Productions; Bradford Enterprises & Gemmy Productions; Brady Productions, David; Braga Productions; BrainBOW; Brancato Productions; Branded Entertainment; Braun Entertainment Group; Brave New Films; Brenner Management; Bridge Falls Entertainment; Brink Films, Inc.; Bristol Bay; Bristol Cities; British Lion; Broadway Pictures; Broadway Video; Broadway Video Entertainment; Brookwell McNamara Entertainment; Brustein Entertainment; Bryan Hickox Pictures, Inc.; Bubble Factory, The; Buchwald & Associates, Don; Buchwald & Associates, Don (LA); Buchwald & Associates, Inc., Don; Buchwald, Don & Associates; Buck Productions; Buffalo Gal Pictures, Inc.; BullitFilms; Bull's Eye Entertainment; Bumba Animation Studio; Bumber Shoot Entertainment; Bumbershoot Entertainment; Bungalow 78 Productions; Bunim/Murray Productions; Bunton Films Ltd; Burleigh Filmworks; Burrud Productions; C To The B Productions; C.M. Two Productions; C/W Productions; C2 Pictures; C3 Entertainment, Inc.; Cactus Pudding Productions; Cahoots Productions; Cahoots Productions, Inc.; Cairo/Simpson Entertainment; Caldera/De Fanti Entertainment; Calley Productions, John; Cambridge Literary Associates, Inc.; Camden Pictures; Camejo & Associates, Suzanna ; Camelot Pictures; Camera 40 Productions; Candy Entertainment, Inc.; Candy Heart Productions; Cannell Studios; Canvas House Films; Capital Arts Entertainment; Capo Productions; Captures Entertainment; Carascope Productions, Inc.; Careyes Entertainment; Carlton America; Carlyle Productions & Management; Carsey-Werner-Mandabach; Carson Signature Films; Carson, Ferguson & Associates Talent & Literary Agency; Cartoon Network; Caruso Visual Productions; Cassini Films Italia; Cassini Films Limited; Casting Unlimited & Management; Cataland Films; Catch 23 Entertainment, Inc.; Catchlight Films; Catfish Productions; Cathal Black Films, Ltd; Cathedral Entertainment; Cavaleri & Associates; CAVU Pictures; CBS; Cecchi Gori Group; Cecchi Gori Pictures; Cedar Grove Agency Entertainment; Celebrities Plus Inc.; Celebrities Plus, Inc.; Centropolis Entertainment; CEO Creative Entertainment; CFP Productions; CFunk Productions; CG Productions; Chancellor Entertainment; Chanticleer Films; Chasin Agency, The; Checkmate Entertainment; Cheerful Pictures; Cheeseburger Films, Inc.; Cherry Pie Entertainment, LLC; Chesler/Perlmutter Productions; Chesterfield Film Company, The; Chiaramonte Films, Inc.; Chic Productions & Management; Chicagofilms; Chinatown Productions; Chiodo Bros. Productions; Chi-Town Films; Chromosome22 Films; Cilibrasi & Associates, Inc.; Cindy Cowan Entertainment; Cine Excel Entertainment; Cine Paris; Cine/Lit; Cineaste Group; Cinegroupe; Cinema 21 Group; Cinema Libre Studio; Cinema Seven Productions; Cinemantics LLC; Cinematek Film & Television; Cinetel Films; Cineview Productions; Cineville International, Inc.; Cinnamon Productions, Inc.; Circle of Confusion; Circle of Confusion Productions; City Lights Pictures; Civilian Pictures; Clarity Pictures; Clark Associates, WM.; Clark Management Company; Clark Productions, Dick ; Classic Films; Clean Break Productions (Tom Arnold); Clear Pictures Film; Clearwater Filmworks; Cloud 9 Media Group; Cloud Productions/The Olen Company; Coast To Coast Talent Group, Inc.; Coastal Entertainment Productions; Cobalt Media Group; Cobblestone Films; Cochran Productions; Codikow Films; Cohen Pictures; Colebrook Road; Coliseum Pictures Corporation; Collaborative Artists; Collier Associates, Ltd., Minerva; Collision Entertainment; Colossal Entertainment; Colosseum Management; Columbia Artists Management, Inc.; Comet Pictures; Comnexis; Complex Films; Con, The; Concept Entertainment; Concorde-New Horizons; Concrete Pictures; Connection III Entertainment Corp.; Constantin Film Development, Inc.; Content & Pressman Films; Contentfilm; Conversation Company Ltd., The; Coppage Company, The; Coralie Jr. Theatrical Agency; Core Entertainment Organization; Corymore Productions; Cossette Productions; Coyote Pass Productions; CPC Entertainment; CPM Creative; Craig Anderson Productions; Crave Films; Creative Battery; Creative Capers Entertainment; Creative Content Management; Creative Convergence; Creative Haven Entertainment; Creative Light Entertainment; Creative Management Group, LLC; Creative Production Group; Creative Visions; CreativeWorks Entertainment; Creature Entertainment; Crescendo Entertainment Group; Crescent Sky; Crescent Sky, Inc.; Criterion; CRPI Entertainment; Cruqui Cracker Productions; Crystal Sky, LLC; Crystal Spring Productions; CS Entertainment; Ctonic Flikz; Cunningham Productions; Curb Entertainment; Curious Pictures; Curtis Associates, Richard; Cutwater Media; Cuzzins Management; CW Productions; Cynce Media; Cypress Films; Cypress Point Productions; Dakota North Entertainment/Dakota Films; Damage Inc.; Dan Curtis Productions; Daniel & David Agency; Daniel Sladek Entertainment Corporation; Daniels Entertainment, Lee; Danika Productions; Danjaq, Inc.; Dark Art Films; Dark Horse Entertainment; Dark Matter Productions; Dark Trick Films; David Foster Productions; David Kirschner Productions; David Mickey Evans; Davis Entertainment Filmworks; Davis Management; Daybreak Productions; De Laurentiis Company, Dino; Deacon Entertainment; Debra Hill Productions; Dee Mura Enterprises Inc.; Deep Image Unlimited; Deep Image Unlimited, Inc.; Deja View Productions; Delaware Pictures; Delphinius Talent Management; Denver and Delilah Films (Charlize Theron); DeSalvo Productions; Destiny Pictures; Di Bona Productions, Vin; Di Bonaventura Pictures, Inc.; Dick Clark Productions; Difi Films; Digiaimo & Associates, Ltd., Louis; Digital Artists Agency (DAA); Digital Ranch Productions; Dimension Films; Dinamo Entertainment; Dino De Laurentis Company; Distant Horizon; Distant Horizon (LA); Diversa Films; Diverse Talent Group; Divine Management; DLZ Design Studios; Docherty, Inc.; Dog and Pony Productions; Dolce Vita Productions; Dominion Entertainment; Don Buchwald & Associates Inc.; Donen/Raimi Company; Doomed Productions; Doozy Films; Dorfman Management, Rick; Double A Films; Double Eagle Entertainment; Double Edge Entertainment; Double Feature Films; Double Feature Films (Michael Shamberg, Stacey Sher); Double Nickel Productions; Douroux & Co.; Downey/Todoroff Productions; DPS Film Roman; Dream City Films; Dream Entertainment; Dream Media Pty Limited; Dreamline Pictures; Dreamworks SKG; Driven Entertainment; Drunken Angel Entertainment; Dryer Productions, Fred; Du Jour Entertainment; Ducks In A Row Entertainment; Durkin Literary/Entertainment Group; DV8 Management; E Management; E S Agency, The; E3 Entertainment; Eagle Nation Films; Earthbourne Films; Earthworks Films; East of Doheny/Lexington Road Productions; Eastwood Talent Corporation; Ebony I Management; Echelon Entertainment; Eden Rock Media; Edmonds Entertainment; Edward S. Feldman Company; Edwards Productions, Ralph; Eighth Square Entertainment; EKP Productions; Electric Entertainment; Elephant Walk Entertainment; Elixir Films; Elkins Entertainment Corporation; Ellechante Talent Agency; Elsboy/Suntaur Entertainment; Emby Eye; Emerald Literary Management; Emerald Oceans Media Group; Emerging Networks; Emerging Pictures; Emission Control Management; Empty Pocketts Productions; Empyre Films; Endeavor Talent Agency; Energy Entertainment; Enlightenment Productions; Enteraktion Studios; Entertainment Management Group; EnTheon Entertainment; Entitled Entertainment; Envisage Pictures; Envision; Envoy Entertainment; Epiphany Pictures; Epiphany Pictures, Inc.; Equus Entertainment; Escape Artists; ESPN Original Entertainment; Essential Talent Management; Eternity Pictures; Euphoria Entertainment; Eurobridge TV Intl.; Evans Management; Evatopia; Evergreen Films; Evergreen International Management; Everyman Pictures; Evolution Entertainment; Evolving Pictures; Exceed Entertainment, Inc.; Excelsior Pictures; Exile Entertainment; Exxcell Entertainment/Excell Films; F.&.M.E./ Film & Music Entertainment; Face Punch Entertainment (Peter Berg); Fair Dinkum Prods.; FanaFilm; Fandom Entertainment; Farber Literary Agency; Farris Literary Agency; Fast Carrier Pictures; Fastbreak Management Inc.; Fat Chance Films; FatFrame Productions; Fauci Productions; Fearmakers Studios; Federal Bureau of Entertainment; Feigen Parrent Literary Management; Feldman Company, The; Ferguson & Associates Talent Agency, Sylvia; FGM Entertainment; Film Crash; Films By Jove; Filmsaavy; Filmsmith; Filmstar Productions; Filmstreet, Inc.; Filmworld; Findelle Management, Stann; Fine Line Features; Finest Hour Films/Studio 108; Firefly Productions; Fireworks Entertainment; First Cold Press Productions; First Entertainment; First Light; First Look Studios; First Look Talent & Literary Agency; Fisher Productions; Flash Entertainment; Flatiron Films; Flip Side Film; Flutie Entertainment; Flying A Studios; Flying Freehold Productions; FMA Management, Inc.; Fobia Films; Focus Features; Fog Pilot New Media; Forbes Entertainment; Foreland Pictures; Forest Hill Pictures; Fortress Entertainment; Foster Productions, David; Foundation Entertainment; Foundation Management; Foundry Capital; Fountainhead Pictures; Four Point Entertainment; Four Winds Pictures; FourSight Entertainment; Fowler Management; Fox Productions, Ted; Fox Searchlight Pictures; Frame 10 Productions; Frame Werk Produktion GmbH & Co. KG; Franchise Pictures; Franklin Mint Films; Frazier | Chipman Entertainment; Fred Dryer Productions; Frederic Golchan Productions; Free Spirit Productions; Freeman Productions, Joel; Frequency Films; Fresh Faces Agency; Fresh Films; Fresh Produce Films; Frontier Pictures; FTL Company, The; Full Moon; Fuller Films, Inc.; Funny Boy Films; Furst Films; Furthur Films; Fusion Management; Futile Effort Films; Fuzzy Hair Films; GalaFilm; Galan Entertainment; Gallagher Literary Management; Garlin Pictures, Inc.; Gary Hoffman Productions; Gates Pass Films; Gateway Management; Gatsby Group Inc., The ; Gaylord Films; Geddes Agency, The (Chicago); Gekko Film Corporation; Gelfman Schneider Literary Agents, Inc.; Gemini Artists Entertainment Inc.; Gemstone Talent Management; Generate; Georgian Bay Productions; Gersh Agency (LA), The ; Gersh Agency (NY), The; Gersh Agency, The (LA); Gertz Entertainment, M.M.; Giagni Management, Inc., Peter ; Gibson Productions; Gigantic Pictures; Ginty Films, Robert; Gittelman Personal Management, Phillip B. ; Gittes, Inc.; Global Entertainment Media; Global Entertainment Productions & Management; Global Media Television; Global Network Pictures; GMR Productions; Go Entertainment; God's Dream; Goff-Kellam Productions; Gold Circle Films; Gold Management, Inc., Dodie; Gold/Miller Company, The; Goldberg Management, Jeff; Goldcrest Films International, Inc.; Golden Entertainment West; Goldsmith Entertainment Company; Goldstreet Pictures; Goldwyn Productions, John; Good Machine; Goodman/Rosen Productions; Gotham Entertainment Group; Gotham Group, Inc., The; Gracie Films; Grade A Entertainment; Graham/Rosenzweig Films; Grainy Pictures; Grais Productions, Michael; Grammnet Productions; Granada Entertainment USA; Grand Productions; Grant, Savic, Kopaloff and Associates; Grapevine Productions; Graup Entertainment; Graw & Associates, Susan ; GRB Entertainment; Green Communications; Green Grass Blue Sky Company; Green Valley Entertainment; Green/Epstein/Bacino Productions; Greenestreet Films; Greenestreet Films, Inc.; Greenwald Productions, Robert; Greenwood Avenue Entertainment; Greif Company; Grey Line Entertainment; Grey Line Entertainment Inc.; Greystone Television and Films; Grinning Dog Pictures; Grisham Films USA; Gross-Weston Productions; Gryphon Films; Guardian Entertainment; Gundelach; Gurin Company, The; Guy Walks Into A Bar; H2 Productions; Haft Entertainment; Hal Ross Productions; Hallmark Entertainment; Halo Entertainment; Hand Picked Films; Handprint Entertainment; Hankwitz Production & Management, Peter; Hanson Management, Eric; Happy Madison; Happytogether Film & TV; Harbor Lights Productions; Harden-Curtis Associates; Harris Company, The; Harris Literary Agency, The Joy ; Hart Entertainment; Hart Literary Management; Hart Sharp Entertainment, Inc.; Hat Factory Studios; Hat To The Back Productions; Haugland Productions, David; Haven Falls Motion Picture Productions; Hawk Entertainment; Hawkes Bay Productions; Hawkins & Associates, John; Hays Media; Hecht Company, The; Hella Good Moving Pictures; Heller Productions, Rosilyn; Hennessey Entertainment; Henry Seggerman Productions; Henson Pictures, Jim; Hephaestus Entertainment & Travel Group; Herman Agency, Jeff; Hero Entertainment; High Seas Entertainment; Hill & Barlow Agency, The; Himber Entertainment; Hinterland Entertainment; Hippofilms; Hiskarma Productions; Hoffman Films; Hohman Maybank Lieb; Holcomb Productions, Rod; Hollywood Independents; Hollywood International Films, Inc.; Hollywood Network; Hollywood Sunset Pictures Inc.; Hollywood View; Homegrown Films; Homegrown Pictures, Inc.; Hook Entertainment; Hopscotch Pictures; HSI Entertainment; HSI Productions; Hudson Agency; Hudson Productions; Hughes Capital Entertainment; Human Touch; Humble Journey Films; Humble Journey Films (Eriq La Salle); Hurricane Entertainment; Hyams Productions, Inc., Peter; Hybrid Films Australia; Hyde Park Entertainment; Hyman, Ellen; Hype Entertainment; Hyperion Studio; Hypnotic; Hypnotic (NY); i5 Films; Iceman Productions; ICM; Icon Productions, Inc.; Ideal Entertainment; Identity Talent Agency, The; Idiom Films & Entertainment; IFA Talent Agency; IFM Film Associates; IFM Film Associates Inc.; Image Productions; Imagemaker Films; Imagemovers; Imaginarium Entertainment Group; Imaginary Forces; Imagination Productions; Imagine Entertainment; Imagine Entertainment (Ron Howard & Brian Grazer); IMAX Corporation; Immortal Entertainment; Impact Artists Group; Imparato/Fay Management; Incognito Entertainment; Independent Film Channel (IFC), The; Independent Together, Ltd.; Indican Productions; Indie Genius Filmworks; Indigo Films; Industry Entertainment; Infinity Management International; Infinity Media, Inc.; Ingram Enterprises, Cheri; Inneract Entertainment; Innercircle Management; Innovative Artists (LA); Insanity Filmworks; Insight Entertainment Group; Intellectual Property Group; Intercom Entertainment Inc.; Interlight; International Artists Group, Inc.; International Arts Entertainment; International Creative Management; International Film Group; International Literary Representation & Management; International Production Company; Intrinsic Value Films; Intuition Productions; IPC Films; Iridium Entertainment; Ironworks Production; Ishtar Films; Ithaka LLC; Ivy Films; IWP/Gemini; Ixtlan (Oliver Stone); J2 Entertainment; Jackson Artists Corporation; Jacobs Entertainment, John ; Jake Films; James Bryan Films; James Peter Associates Inc.; Janklow & Nesbit Associates; Janna E. Gelfand Productions; Janus Films; Janus Films, LLC; Jaret Entertainment; JBR/BK Production; JCS Entertainment II; JDA Management; Jeff Morton Productions; Jenkins Entertainment; Jericho Entertainment; Jersey Films; Jet Film Company, The; JHA (Josselyne Herman & Associates); JHP Entertainment; Jim Keeshen Productions; JKR Productions, Inc.; JMG Management; Joada Productions; JoAnne Roberts Productions; Jody Rein Books, Inc.; Joel Films; Joel Schumacher Productions; Joel Stevens Entertainment; Joey Edmonds Entertainment; John Baldecchi Productions; Johnson Entertainment, Magic; Johnson Productions, Kenneth; Jonesing Pictures; Josephson Entertainment; Judy O Productions; Jumprope Productions; Junction Films; June Beallor Productions; JW Productions; K5 Film GmbH; Kahn Power Pictures; Kallen Literary Agency, Leslie B. ; KanDoKid Films; Kanpai Pictures; Kaplan Talent, Stanley ; Kaplan, Marty; Kaplan, Stahler, Gumer, Braun Agency, The; Kaplan/Perrone Entertainment; Kareem Productions; Karma Management; Karz Entertainment; Katz Productions, Perry; Katzman Productions, Jon; Kaufman Company, The; Keats Entertainment; Keeve Productions; Keller Entertainment; Keller Entertainment Group; Ken Gross Management; Kennedy/Marshall Company; Kensington Entertainment; Kentucky Film; Kerala State Film Development Corporation; Ketay Agency, The Joyce; Kettledrum Films; Key Creatives; Key Entertainment, Inc.; Keystone Entertainment; KG Productions; Kicked Down Productions; Killer Films; Killerpix Global Media Filmco; Kinesis Entertainment; Kinetic Filmworks; Kinetic Management; Kinetic Pictures; King Management; King, Ltd., Archer; Kingman Films International; Kingsize Entertainment; Kismet Entertainment Group; Kismet Productions, Inc.; KLANE, JON AGENCY; Klasky Csupo; Klein Management Group Inc., Don ; Kleiser-Walczak; Kneerim & Williams at Fish & Richardson; Knight Company, The; Kodiak Resource Development; Kohner, Inc., Paul ; Konigsberg-Smith Company, The; Konwiser Brothers; Kopelson Entertainment; Kozlov Literary Representation, Cary; Krainin Productions; Kremlin Films; Kristine Krupp Talent Agency; Kritzer Entertainment; Kritzer Productions, Eddie; Kruglov & Associates, Victor; KT Entertainment; Kuehnert Productions, Fred; La Place Management; LA Productions; Ladd Films, David ; Lahey/Brenner Company, The; Laika Entertainment (formerly Vinton Studios); Lake Agency, The Candace ; Lake Como Pictures; Lakeshore Entertainment Corporation; Lancaster Productions, David; Landers Group, The; Landers Management, Ruth; Landsburg Company, The; Landscape Entertainment; Lane Entertainment, Paul; Lane Management Group; Langley Productions; Larchmont Literary Agency; Larco Productions (Larry Cohen); Larger Than Life Productions; Laroda Group, The; Lasalle Holland; Last Man Pictures; Last Minute Films, Inc.; Laszlo Klima Production; Latin Hollywood Films; Latte-Da Productions, Inc.; Laura Ziskin Productions; Laurence Mark Productions; Laurie Goldstein/Nightstar Productions; Lavin Entertainment Group; Lawrence Gordon Productions; Lee Attractions, Inc., Buddy; Lee Daniels Entertainment; Lee Productions, Michele; Leisure Time Enterprises; Lenhoff & Lenhoff; Leo Films and Urban Movies; Les Films D'Antoine; Letnom Productions; Level 1 Entertainment; Levine Greenberg Literary Agency; Levine Literary Agency, Paul S. ; Levinson Productions, Larry; Levy Enterprises, Michael I.; Lewis & Associates, Michael ; Lex Filmed Entertainment; Lifeline Entertainment; Lifetime Television; Lighthouse Entertainment; Lighthouse Productions; Lightmotive, Inc.; Lightstone Entertainment; Lilac Productions; Lion Rock Productions; Lions Gate Entertainment; LipSync Productions; Little Magic Films; Little Red Hen Entertainment; Litwest Group, LLC; Liveplanet (Chris Moore, Matt Damon, Ben Affleck, Sean Bailey); Liz Selzer Lang Productions; Loaded Features; Locke Productions, Peter; Logo Entertainment; Lonetree Entertainment; Longbow Productions; Longfellow Pictures; Loreen Arbus Productions, Inc.; Loring Productions, Lynn; Los Diablos; Loseff Management, Jeffrey ; Lost Prophets Pictures; Lotus Pictures; LSL Productions; Lucid Logic Productions; Lucky Crow Films; Lunaria Films; Lynch Company, The Tom; Lynda Obst Productions; Lynn Company, The; Lynn Productions, Tami; Lyons Sheldon Prosnit Agency; M2M Studios; Macdonald Productions, William J.; Macht Entertainment Group; Mackenzie-Morel; Macromanagement; Macy Productions, Trevor; Mad Chance; Mad Era Management & Productions; Mad Heaven Entertainment; Magar Films, Guy; Magic Light Pictures; Mainline Releasing; Makemagic Productions; Malla Entertainment/Light Force Films; Managed Passion Films; Management 360; Mandate Pictures; Mandeville Films; Manhattan Pictures; Manifest Film Company; Manmade Entertainment Productions; Manos Management; Marathon Entertainment; Marc Platt Productions; Marcus Bryan & Associates; Marina Motion; Marine Street Films; Mark Archer Entertainment; Mark Carliner Productions; Mark Castro; Mark I Productions; Marsh Management, Sandra; Martin Ransohoff Productions; Marty Katz Productions; Marv Dauer Management; Marvel Studios; Mary Ann-Laglo Productions; Mary Jane Skalski; Matador Pictures; Matovich Productions; Matthau Company, The; Maureen Donley Pictures; Maverick Films; Maya Pictures; Mayhem Group, The; Mayhem Pictures; MBST Entertainment; McMillan Institute for the Arts; MD2 Group; Media 8 Entertainment; Media Four; Media Savant Pictures; Mediachase; Media-Savvy; Mediastars International; Meg Management; Melendez Productions, Bill ; Melinda Jason Company; Melnitsa Animation; Meltzer & Associates, Michael; Mendel Productions, Barry; Meno Film Company; Mercer Film Group; Merchant-Ivory; Meridian Films; Merko Motion Pictures; Metropolitan Talent Agency; Meyer Productions, Patricia; MGC/Cushman Entertainment Group; MGM; MGP, Inc.; Michael Ades Films; Michael Productions, Inc., Terence; Michgayle Entertainment; Midnight Evil Productions; Midwest Talent Managment; Milagro Films; Milestone Films; Miller Co., The Stuart M. ; Mind Wave Entertainment; Mindfire Entertainment; Mindless Entertainment; Mine; Miramax Films; Mirisch Corporation; Misher Films; Mission Entertainment; MJR Management; MKD Productions; MLW Productions; Mobius International; Mocean Management; Mod3Productions; Monarex Hollywood Corporation; Monkey Business Productions (LA); Monkey Business Productions (Vancouver); Monroy, Star Manager, Jaime; Monsoon Entertainment; Monster Productions; Montage Entertainment; Montecito Picture Company, The; Monteiro-Rose Agency; Moody Street Pictures; Moore Artists' Management; Mor Entertainment; Moran Agency, Maureen ; Morel Entertainment, James; Morgan Agency, The; Morgan Creek Productions; Morgenstern Entertainment; Mosaic Productions; Moshag Productions, Inc.; Motel Films; Motion Picture Corporation of America; Mount Royal Entertainment; Mountainair Films; Movie Development Corporation; MoviFunda Productions, LLC; Moving Image, The ; Mozark Productions; MPH Entertainment; MPI Productions; MPM Productions; Mraovich Productions, Sam; MRI, Inc.; MTV Films; Mulberry Square Productions, Inc.; Multi-Ethnic Talent; Muraviov Company, The; Muse; Muse Productions; MWG Productions; My Cousin's Cousin; My2Centences; Myriad Pictures; Mythos Studios; N/V; Namesake Entertainment; Nanas Hart Entertainment; Napkin Management; Nash Entertainment; Nash-Angeles; Nasser Entertainment Group; Natural Talent Inc.; Navarro Productions; NB Pictures; NCH Entertainment Corp.; Nebula Management; Nelvana Entertainment; Neo Art & Logic; Net Effect Media; Neu-Man-Films; Never A Dull Moment Productions; Neverland Agency/Go Entertainment; Neverland Films, Inc.; New City Pictures; New Concorde; New Concorde (Roger Corman); New Crime Productions; New Generation Films; New Line Cinema; New Line Television; New Ray Films; New Regency; New Regency Productions; New Wave Entertainment; New York Office; Newlight 21 Entertainment Corporation; Newman Entertainment, Vincent; Newman Productions, Inc., Peter ; Newman/Tooley Films; Newmarket Capital Group; Niad Management; Nicholas Loeb International; Nickelodeon Films; Nickelodeon Movies; Nile Productions; Nine by Nine; Nine Yards Entertainment; Nineteenth Star; Nite Owl Productions; Nitelite Entertainment; Nitestar Productions; No Restrictions Entertainment; Nobody Productions; Noon & Associates Artist Management; North by Northwest Entertainment; North of Two Pictures; Nova Pictures; NT Media Corporation; Nu Image; Nuance Prods. (Paul Reiser); NuConcepts Productions; Numenorean Films; O Entertainment; Oak Island Films; Ocelot Pictures; Octane Entertainment; Odd Lot Entertainment; Off N Running Management (ONR); Offerman Entertainment; Offroad Entertainment; Oil & Water Productions; Oil Factory, Inc.; Okun Productions, Sam; Old Road Pictures; Oliver Productions, Lin; Olmos Productions, Inc.; Omega Entertainment; Omnibus; Omnipop, Inc.; On Stilts Productions; On The Lam Productions; On Time and Sober Productions; Once Upon A Time Films; One Roof Entertainment; One Step Productions; Onstream Partners; Open Door Entertainment; Open Road Productions; Optional Pictures, LLC; Orange Grove Group; Orange Grove Group, The; Origin Talent; Original Six Productions; Oriti Productions, Samuel; Orly Adelson Productions Inc.; Oscard Agency, Inc., Fifi; Ostroff Productions, Daniel; Out of the Blue Entertainment; Out of the Blue...Entertainment; OutaSite New Media Studios; Outerbanks Entertainment; Outlaw Productions; Outrider Pictures; Over The Hill Gang, The; Overseas Filmgroup / First Look Pictures; Overview; Oxygen Network; P.A.T. Productions; P.O.V. Company; Pacific Entertainment; Pacific Western Productions; Pacifica Film Development; Pack, The; Paia Pictures; Paid Our Dues Productions; Paige Associates, Inc., George; Palisades Pictures; Palladin Group, The; Pamela Beck; Pamplin Film Company; Pandemonium; Pandora Films; Paradigm; Paradox Productions Inc.; Paragon Management; Paramount Classics; Paramount Pictures; Pariah; Parkway Productions; Pathfinder Pictures; Patriot Pictures; Paul Hardart; Paul Kohner, Inc.; Paulson Productions, Daniel L. ; Payaso Entertainment; Peak Productions; Pearl Pictures; Pearl Pictures Management; Pelagius Films; Perilous Pictures; Perryscope Pictures; Persistent Entertainment; Person to Person Films; Pet Fly Productions; Peter Frankovich Productions; Pevner Inc., Stephen; Peyser Productions, Michael; Phoenix Pictures; Pierce Company, The Frederick S. ; Piller2/The Segan Company; Pinata Productions & Management; Pinch Entertainment; Piranha Pictures; Pitt Group, The; Pixar Animation Studios; Plastercity Productions; Platinum Studios; Playtime Productions; Playtone Company, The; Pleshette Literary Agency, The Lynn ; Plumeria Entertainment; Plus Entertainment; PMA Literary & Film Management; Politically Incorrect Motion Pictures (PIMP), Inc.; Pollywog Entertainment (Andy Dick); Poor Boys Productions; Popular Arts Entertainment; Populuxe Pictures; Port Magee Pictures; Port Magee Pictures Inc.; Portman Film & Television; Power Company, The Derek; Power Entertainment; Practical Pictures; Premier Attractions; Preminger Agency, Jim; Preston Stephen Fischer Company; Pretty Disgusting; Price Entertainment, Inc.; Prim Productions; Principal Entertainment; Principato-Young Management; Pritcher Company, The; Produce Media Group; Producer & Management Entertainment Group; Producers Group; Producers Group Studios; Producers, The; ProFilm; Promark Entertainment Group; Prometheus Entertainment; Prospect Pictures; Protege Management; Proud Mary Entertainment; Pukkanasha Films; Pure Arts/Alan Somers, Inc.; Quality Filmed Entertainment; Quillco Agency; Quinn Productions; Rader Productions; Radiant; Radio...With Pictures; Radmin Company, The ; Raffaella Productions; Rage Entertainment; Rainbow Film Company; Rainey & Gray LLC; Rainstorm Entertainment; Rainstorm Entertainment Inc.; Rakontur; Rampage Films; Randwell Productions; Ransom Productions; Rapp Enterprises Inc., Joseph ; Raw/Progressive Films; Realitory; Rebar Management; Rebel Films; RebelStone Productions; Recorded Picture Company; Red Baron Management; Red Cup Production House; Red Diamond Company; Red Door Films; Red Hook Films; Red Horse Films; Red Planet Entertainment; Red Wagon Entertainment; Redcup Production House; Red-Horse Productions; RedTip Media; Reel Life Women; Reel World Management; Reelvision Entertainment; Regent Entertainment Inc.; Rehme Productions; Reid Productions Inc., Tim ; ReignDeer Entertainment; Relevant Entertainment (LA); Relevant Entertainment (NY); Relish Productions; Reuben Cannon & Associates; Reveille; Revelations Entertainment; Reverse Angle International (Wim Wenders, Peter Schwartzkopff); Revolution Studios; Reynolds Entertainment; RH Factor; Rhino Films; Rice & Beans Productions; Richard Brustein Entertainment; Richard Literary Agency, Jon; Rick Berman Productions; Rick Conrad Productions; Ricochet Entertainment; Ridini Entertainment; Ridini Entertainment Corporation; Rita Films; River One Films; Rivet Entertainment; RJN Productions; RKO Pictures; RLR Associates; Road Less Traveled Productions; Road Rambler Films; Roadkill Films; Roadshow Entertainment; Roadside Attractions; Roar; Robbins Entertainment; Robins & Associates, Michael D.; Robinson Entertainment, Dolores; Robinson Productions, Amy ; Robinson/Sherman Pictures; Rocket Science Laboratories; Rocking Horse Productions; Rockstone Pictures; Roger Gimbel Productions; Rogue Arts; Rogue Creative; Rogue Pictures; Roman Entertainment, Phil; Romano Modeling & Talent Agency, Cindy; Ronald S. Dunas Productions; Room 9 Entertainment; Room 9 Entertainment LLC; Rose Agency, The Brant ; Rose Productions, Lee ; Rosen/Bender Productions; Ross Management, Jeff; Rossu Entertainment; Rosswwmedia Corporation; Rough Diamond Management; Rough Diamond Productions; Roundtable Ink; Roxbury Films; Roxbury Projects, The; RSF Productions; Ruby-Spears Productions; Ruddy Morgan Organization, Inc., The; Rupert Productions; S Pictures, Inc.; S. Hirsch Company / SeeMore Films; Sachnoff-Lipman Entertainment; Sacks Productions, Alan ; Sacred Dogs Entertainment; Saffron Management; Sagafilm; Saladag Productions; Salamandre Productions; Saltmill Productions; Sam Okun Productions; Samoset Inc./Sacret Inc.; Samy Boy Entertainment; Sanctuary; Sandbox Entertainment; Sandstorm Films; Santa Monica Pictures; Santos-Fischer Management; Saperstein Organization, Fran; Saphier Productions; SBK Pictures, Inc.; Scarlet Fire Entertainment; Schechter Company, The Irv; Schlatter Productions; Schramm Group, The; Schulman Literary Agency, Susan; Schultz Associates, Kathleen; Schwab Productions, Faye/MMA, Inc.; Scott Free Productions; Scott Rudin Productions; Screen Gems; Scribblers House LLC Literary Agency; ScriptStar Pictures; Sekret Agent Productions; Selzer-Lang Productions, Liz; Senza Pictures; Seraphim Films; Serenade Films; Serendipity Point Films; Seven Arts Pictures; Seven Summits Pictures & Management; Shadowcatcher Entertainment; Shady Acres Entertainment; Shaftesbury Films; Shamon Freitas Model & Talent Agency; Shangri-La Entertainment; Shankman Deblasio Melina, Inc.; Shannon & Company; Shapira & Associates, David; Shapiro-Lichtman Talent Agency, Inc.; Shatter Glass Productions; SHC-Entertainment; Sheeline Management; Shonkyte Productions; Shoot the Moon Productions, LLC (Blye Pagon); Shore View Entertainment; Shoreline Entertainment; Showbuzz; Shukat Company, Ltd., The; Shuman Company, The; Shutt-Jones Productions; Sid Feders Productions; Siegel and Associates, Michael ; Siegel Entertainment, Alan ; Siegel International Literary Agent, Inc., Rosalie; Siete Machos Films; Signature Films/ Millennium Dance Complex; Silicani Agency, Al; Silver & Company Entertainment Management, Blair ; Silver Creek Pictures; Silver Dream Productions; Silver Lion Films; Silverline Pictures; Silvers/Koster Productions, Inc.; Simon & Associates (ASA), Andrea ; Simon Banner Associates; Simon West Productions; Simons Productions, David A.; Single Spark Pictures; Sirk Productions; Site 85 Productions; Sittenfield Management, Joan (JSM); Sitting Ducks Productions; SITV; Sixth Way Productions; SK Management; Skalski, Mary Jane; Skippy Dog Productions; Skye Island Entertainment; Skylark Entertainment; Skylark Films; Slessinger & Associates, Michael ; Sloane/Borden Pictures; Smith Entertainment; Snapdragon Films; Sneak Preview Entertainment; Snopek Management, Chad; Sobini Films; Soiree Fair Inc.; Solaris; Solo One Productions; Sommer Literary Agency, Michael H.; Sonesta Entertainment; Sony Classics; Sony Pictures Television; Sorehead Entertainment; Sound Boy Entertainment & Management; South Productions; Southern Skies, Inc.; Sovereign Management; Spellman Entertainment, Christopher; Spellman-Paul Entertainment; SPG; Spice Factory; Spirit Horse Productions; Spirit Lake Pictures; Spitfire Pictures; Spivak Entertainment; Spumco; Spyglass Entertainment Group; Spyworm; Squared Foot Productions; Squid Brothers, Inc.; SRG Productions; Stage 18 Productions; Stagescreen Productions; Stampede Entertainment; Stanley Chase Productions; Star Harbor Films; Starcraft Talent Agency; Stargate Entertainment; Stargazer Entertainment; Starlight Pictures; Stars, The Agency; Startz Productions, Inc., Jane; Starway International; Starwil Talent; State Street Pictures; Steamroller Productions; Steamroller Productions (Steven Seagal); Stein Agency, The ; Steinberg Talent Management Group; Stern Agency, Gloria; Sternberg Management, Harriet; Stevens Company, The; Stevens Entertainment, Joel; Stewart Talent; Stillwater Films; Stone Manners Agency; Stone Village Pictures; Stone Village Productions; Stonefield Productions; Stonelock Pictures; Storefront Pictures; Story Arts Management; Storyline Entertainment; Storyopolis Productions; Storytime Entertainment; Straightawaymovies; Strata Productions; Stratus Film Company; Strauss McGarr Entertainment; Stray Dog Films; Strongbox Productions; Stubbs & Associates, Mitchell K. ; Studio Hamburg Production International; Studio Talent Group; Studiocanal (U.S.); Stun; Sudden Storm Productions; Sugar Brothers Entertainment; Suite A Management Talent & Literary Agency; Suited Productions; Summerland Entertainment; Summit Entertainment; Suncoast Film Group LLC; Sunset Canyon Productions; Sussex Ltd., Inc.; Suzanne Bauman Productions; Sweeney Entertainment; Sweeney Management; Symbolic Entertainment; Symphony Pictures, Inc.; Syndicate, The; Table Ninety One Entertainment (Anthony Mastromauro); Tactics; TAG Entertainment; Tahan Literary Agency, Mary; Tailfish Productions; Talent Management Partners; Talent Scout Communications; Talent Scout International Management; Talisman Pacific; Talking Wall Pictures; Tallulah Films; Tandem Entertainment Management; Tapestry Films Inc.; Taran Company, The; Tarmac Films; Taurus Entertainment Company; Taylor Made Films; Taylor Productions, Grazka; Taylor Productions, Michael ; Team Todd; Ted Fox Productions; Teicholz Productions, Tom ; Teitelbaum Artists Group; Telling Pictures, Inc.; Tenenbaum Films, Nancy; Terra Bella Entertainment; TGI Entertainment Corporation; The Alpern Group; The Artists' Colony; The Asylum; The Axelrod/Edwards Company; The Brogan Agency; The Donner's Company; The Duncan Group, Inc.; The Foxboro Company; The Goldsmith Company; The Jinks/Cohen Company; The Literary Group; The Marshak/Zachary Co.; The Mount Company; The Pitt Group; The Producers; The Radmin Company; The Robert D. Wachs Company; The Robert Evans Company; The Robert Mitnik Agency; The Sommers Company; The Steve Tisch Company; The Susan Gurman Agency; The Winer Company; The Wolper Org.; ThinkFilm; Thirdhill Entertainment; Thompson Organization, Larry ; Thousand Words; Three Moons Entertainment Inc.; Three Twins Entertainment; Threshold Entertainment; Thruline Entertainment; Tiger Productions; Tillman Management, Roz; Tin Can Films; Titan Films; TLC Entertainment; Together Brothers Productions; Tollin/Robbins Productions; Tollins/Robbins Productions; Toltec Artists; Tommy Boy Films; Tomorrow Film Corporation; Torn Sky Entertainment; Totem Productions; Trancas International Films; Transmission Films; Treasure Entertainment; Treehorn Entertainment; Trevor Macy Productions; Trezza Entertainment; Tribeca Productions; TriCoast Entertainment; Tricor Entertainment; Trident Media; Tri-Elite Entertainment; Trillion Entertainment; Trilogy Entertainment Group; Trinity Pictures; Trio Films; Triumph Management; Triumph Pictures, Inc.; Trivision Pictures; Troma, Inc.; True Friend Productions; True Talent Management; Tse Productions, Simon ; Tule River Films; Turman Picture Company Inc., The; Turtle Agency, The ; Turtleback Productions; Twain Productions, Norman; Twentieth Century Fox; Twilight Pictures; Twin Bros. Productions; Two Brothers Entertainment, LLC.; Two Islands Entertainment; Two Oceans Entertainment Group; Umbrella Point Entertainment; Underground Film and Television; Underground Management; Union Entertainment; Unistar International Pictures; United Artists; United Artists Agency; United Talent Agency (UTA); Unity Communications; Unity Productions; Universal Home Entertainment Productions; Universal Management Group; Universal Pictures; Unleashed Cinema; Unlimited Management; Untitled Entertainment; Upfront Productions; Urban Entertainment; US Management; USA-Intertainment; USP Films; V & L International LLC.; Valhalla Motion Pictures; Van Duren Agency; Vanguard Films; Vanguard Management Group; Vanguard Productions; Vanguard Talent Management; Vantage Entertainment; Victor Productions, Mark; Vide-U Productions; Vienna Productions; View Askew Productions; Vines Agency, Inc., The ; Visionary Management; Vista Street Entertainment; Viviano Entertainment; Vizion Productions; Von Zerneck-Sertner Films; Von Zernekc-Sertner Films; VOY Pictures; VU Music Talent Management; Waddell Productions/Management, R. Lee; Waisbren Enterprises, Brad ; Wald Entertainment, Inc., Jeff; Walden Films; Walden Media; Wales Literary Agency, Inc.; Walker/Fitzgibbon TV/Films; Waltzing Clouds, Inc.; War & Wisdom Entertainment; Warden McKinley Literary Agency; Wardenclyffe Entertainment; Wardlow & Associates; Washington Square Arts; Water Street; Waterfall Films; Watermark Pictures; Watershed Films; Wauhob Agency, Donna; Waverly Films; Wedaa Productions, Jim; Weed Road Pictures; Weekend Films; Wendy Finerman Productions; West Productions, Simon ; Westberg Entertainment; Western Sandblast; Whamaphram Productions; Whitaker Entertainment; White Sneakers, Inc.; Whitewater Films; Whyaduck Productions; Wigutow Productions, Dan ; Wild at Heart Films; Wildrice Productions; Will Entertainment; Williams Agency; Wilmark Entertainment; Wilson Productions, Brad; Wilson/Woods Productions; Winchester Films; Winchester Productions, Margot ; Winer Company, The; Wisenheimer Films; Witt Productions, Dan; Witt-Thomas Films; WJ Robinson; Wolf Films; Wolf Films, Fred; Wolo Entertainment; Wolters International, Inc., Hanns ; Wolves at the Door Productions; Wonderfilms; Wonderland Productions; Working Artists Agency; World of Wonder Productions; Worldwide Pants; Wovie, Inc.; Wright Productions, Linda; Write Place, Write Time; Writers & Artists Group International (LA); Writers & Artists Group International (NY); Writerstore; WWE Films; www.angelproductions.info; Xeolux; Xingu Films; XOXO; Yellen Productions, Mark ; York Company, The ; York Entertainment; Your Half Pictures; Zachary Feuer Films; Zadeh & Associates, Stella; Zane Buzby & Conan Berkeley Productions; Zane W. Levitt Productions/Zeta Entertainment; Zanuck Entertainment; Zanuk Entertainment; Zaring/Cioffi Entertainment; Zephyr Productions; Zero Gravity; Zero Pictures; Zinkler Films; Zokalo Entertainment; Zollo Management, Gregg ; Zollo Productions; ZReal Productions; Zuckerman Entertainment; ZVI Howard Rosenman Productions


       





Writer's Rolodex


If you've ever wanted your own private rolodex with all the numbers in Hollywood that matter, it's here. With contact details for 3,077 production companies, independent producers, literary agencies, managers and studios, plus the pro-active 'My Contacts' feature.

'My Contacts' is a unique feature that will truly turn this into your own private Hollywood Rolodex. Now, every time you send a query, make a contact and/or send your script out, you can add that information to your 'My Contacts' section with the press of a button and keep tabs on your writing career. You can also add notes about who requested your script, when to follow up and any other useful info that will keep you on track. It's both private and personal.

       





All Access Screenwriting Competition


Take advantage of an extraordinary opportunity for talented screenwriters to open the door to Hollywood and its deal-makers and have your work submitted to 28 companies that have already requested our top three Winners.


       





Promotion FREE!


If you submit your screenplay for coverage and/or development notes and you receive a “consider” grade from our professional readers, then we will place your screenplay in our online Script Marketplace and Hollywood Bugle, for six months, free of charge. The "consider" grade will be placed alongside your screenplay title and acts as a signpost to the visiting Hollywood executive.

If you receive a "recommend" grade, then not only do we offer our online Script Marketplace and Hollywood Bugle free for six months, but we also get on the phone and pitch your script to all of our personal industry contacts at the top studios, production companies, and agencies. Our interest is to either set you up with an agent, or get your work optioned. We'll promote your work for six months.

To give your script the best possible chance, we'll work with you to create a professional logline and synopsis and double check the basics like formatting and spelling.

If you think there's a catch, there isn't. We don't take any fees or commission, this is a free service.

Nothing will happen without your permission.





Coverage Report


A coverage report is a tool used by the Hollywood executive to determine which scripts they will read and has the power to generate a "yes" or "no". The problem is, you'll never see that coverage report. It doesn't leave the Hollywood executive's desk and you're left wondering why your script didn't make it through. Don't take that risk and blow your chance. Why not see what your coverage report will look like first? Hollywood doesn't read a script twice!

Our professional readers have worked for the top studios, agencies and producers in Hollywood. We assign your screenplay to a personal reader who will provide analysis and generate a coverage report. A coverage report consists of a logline (your story in a nutshell), a synopsis, which details the events of your story from beginning to end, and analysis where the reader describes what worked, what didn't and the final grade: Recommend, Consider or Pass.

Any material that enters the Hollywood system gets tracked and if one major studio or producer passes, the negative feedback can spread like a ripple on a pond and your work is soon dead all over town. Don't give them a chance to say "no", hit them with your best possible work, the first time.

Your coverage report is private, no-one else will ever see it. We mail it directly to you. Our turnaround time for coverage is 7-10 business days.

If you order a Coverage Report online, we can accept your screenplay via email in Adobe Acrobat, Microsoft Word, Wordperfect, Rich Text, Plain Text, Final Draft, Movie Magic Screenwriter, StoryView or Script Ware format.

Click here for a sample coverage report (in Adobe Acrobat Format).







Story Development Notes


Studio style development notes are approximately five to eight (5-8) pages long and address the main elements of your work. These notes are incisive and supportive. They offer constructive criticism and in-depth analysis, including: identifying and analyzing story problems, story logic, character development and structural concerns. If you don't want to waste any time in getting your screenplay ready for Hollywood, cut right to the chase and get these - you'll find them invaluable. These notes are private, no-one will ever see them. The notes are mailed directly to you.

Make sure your script is in top form. Don’t send it out into Hollywood until you’re absolutely sure it’s the best it can be. You only get one chance to make that first impression and convince the reader (Hollywood’s doorkeeper) or industry professional that this is the script they want to push forward. Studios and production companies can receive anywhere from 50 to 100 submissions and up per week, so your script has to be professional in order to stand a chance and well developed in order to stand out!

Competition in Hollywood is stiffer than ever and studios are becoming unwilling to nurture a project through development, ie they are insisting on screenplays that are camera ready. Do the work now and give your script the best advantage by using our development notes!







Treatment Notes


Are you thinking about writing a script, but you're not sure about the direction to take, the feasibility of your plot, or if your script will even be interesting to buyers once written? If you are, then this is the service for you. Don't waste valuable time, let us analyze your treatment and provide you with constructive feedback on the main elements: storyline, feasibility, marketability and point you in the right direction. These notes are a great timesaver and may even take you in a whole new and improved direction.

(A treatment is your story concept, plot, basic characters etc, normally laid out over 20-30 pages or less - a treatment can be registered with the WGA or United States Copyright Office - always protect your work!)







Hollywood Bugle


Submit your logline (pitch) and information to our Hollywood Bugle which we send out once a month to 3,203 executives at the top production companies, studios, management companies and agencies. Just to make sure they don't miss out, we send the Bugle by e-mail. The Hollywood Bugle puts your logline (pitch) right in front of the people that matter and it's guaranteed to get their attention. They see it in the Bugle and click online to request a copy of your screenplay. It only takes a couple of minutes and couldn't be easier!

Use both, our Script Marketplace and Hollywood Bugle and you'll have every base covered.


       





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